Divanhana: Zavrzlama

The title of Divanhana’s sixth album is a Bosnian word meaning “knotted,” a refreshing departure from overused terms like “fusion” and “blending” to describe music that unites diverse elements. Based in sevdah (sometimes called Bosnian blues), the Sarajevo-based band’s wonderful tangle encompasses the Balkan, Turkish and Sephardic strands from which the style was woven in the sixteenth century, the jazz, classical, Latin and pop elements they add … More Divanhana: Zavrzlama

Amira Medunjanin: For Him and Her

The voice—low, flowing, passionate—belongs to Amira Medunjanin, renowned for interpretating songs from her native Bosnia and Herzegovina. But as the title of her ninth album indicates, she sings for three: Him and Her are Serbian singer-songwriter Toma Zdravković and Bosnian singer Silvana Armenulić, epic-tragic figures of the kafana (coffee-house) music that blended sevdalinka … More Amira Medunjanin: For Him and Her

Sen Svaja: Kraitis iš pelkės / Dowry from a Swamp

Three women who present themselves as pixies, mixing real and mythic realms. Three pillars: Smart theatricality; venue (a biodiverse marsh); and group name (Sen Svaja), from an Old Prussian term meaning “with family,” implying not only blood but also those adopted from outside. The sundry elements of Dowry from a Swamp work and play in the service of darkly magical folk songs, five from the … More Sen Svaja: Kraitis iš pelkės / Dowry from a Swamp

Mamak Khadem: The Road

Mamak Khadem defies categorization. Born in Iran and rooted in Persian classical styles, she has also studied North Indian and Balkan traditions. Resettled in Los Angeles, she spent 10 years as lead singer for Axiom of Choice, a Persian-western fusion group. The Road, her second solo album, is less a blending than a radiant mosaic, exploring Iranian majority and minority cultures, Balkan folk and Andalusian classical music. Amid a diverse collection … More Mamak Khadem: The Road