Sarah Aroeste: Monastir

There’s an exquisite balance in Sarah Aroeste’s homage to a bygone community that lives in her heart under a bygone name. Bitola is North Macedonia’s second largest city, a place of Ottoman and Neoclassical architecture, of commerce and culture. For Aroeste’s family it is (and officially was until 1913) called Monastir, a refuge that became home: After Spain expelled its Jewish population in 1492, many migrated to the Ottoman Empire … More Sarah Aroeste: Monastir

Frank London: Ghetto Songs

It’s not news that great music emerges from dire circumstances, but bravissimo to Frank London, composer, trumpeter and co-founder of the Klezmatics (among myriad exploits) for his new album, a breathtaking journey through the ghettos of history. In 2016, to commemorate the 500th anniversary of the establishment of the Venice Ghetto, Beit Venezia, an institution dedicated to the lagoon city’s Jewish culture, invited London as an artist-in-residence … More Frank London: Ghetto Songs

Louisa Lyne & di Yiddishe Kapelye: Lust

Louisa Lyne’s art is inserting Yiddish songs into unexpected contexts. On her third album she and her band put the traditional language of Ashkenazi Jews into creative dialogue with Spanish, English, Hebrew and her native Swedish; mix period pieces with new—sometimes surprising—material; and season with klezmer, tango, jazz, Central European cabaret, Cuban and West African sounds. In Lyne’s … More Louisa Lyne & di Yiddishe Kapelye: Lust

Noa: Letters to Bach

No composer has motivated more artists to adapt his work than Johann Sebastian Bach. Remixing began when eighteenth-century orchestras deployed pianos in pieces JBS composed for clavichord and harpsichord; it continues today with jazz, folk and blues iterations, among others. But arguably no one has channeled Bach so audaciously—or lyrically—as the Israeli singer-songwriter Noa (Achinoam Nini). She describes Letters to Bach, her eleventh … More Noa: Letters to Bach

Idan Raichel: And If You Will Come to Me

Idan Raichel reshaped Israel’s music landscape, integrating Middle Eastern, Ethiopian and Latin sounds and taking his band, the Idan Raichel Project, onto the world stage. He has notably performed at a Nobel Peace Prize ceremony in Oslo, the dedication of the Martin Luther King Jr. memorial in Washington and with Palestinian singer-qanun player Ali Amr in New York. Raichel has written more than … More Idan Raichel: And If You Will Come to Me

Rotem Cohen: Kol Kach Yafeh Lach

When it comes to synergistic contrasts, to matching moods and cultural elements that don’t typically appear together and then making them crackle, Rotem Cohen has few equals. He began his career writing for some of Israel’s leading singers (Rita, Boaz Sharabi) and ultimately decided to face the audience himself. His first two albums established him as a virtuoso of Hebrew song immersed in … More Rotem Cohen: Kol Kach Yafeh Lach

Idan Raichel: Piano • Songs

Though recognizable by his dreadlocks and turban, Idan Raichel often seemed to hide in plain sight. Concerts of his Idan Raichel Project feature up to 15 artists at a time on stage, no one commanding the spotlight and the self-effacing maestro—as pianist, composer, lyricist, singer and producer—always at stage right. To date, he’s made six albums with the Project, a rotating assembly representing Israel’s diversity, with artists singing in Amharic and Arabic alongside Hebrew, plus guest performers from Africa … More Idan Raichel: Piano • Songs

Mor Karbasi: Ojos de Novia

The Sephardic saga includes chapters of persecution and expulsion, but on her forth album the Israeli singer-songwriter Mor Karbasi (who has also lived in London and Seville) looks at her Jewish heritage from Spain and Morocco mostly through the prism of love. Ojos de Novia (Eyes of a Bride) embraces songs of romantic love (though sometimes involving disapproving or even warring parents), love of family, of God, of singing and of nature. This is an … More Mor Karbasi: Ojos de Novia

Kobi Aflalo: Marot

A doomsday joke: Hearing that the earth will be submerged by rising seas in 72 hours, clergymen counsel prayer and repentance. But a lone scientist goes on global TV and issues a challenge: “We have three days to learn how to breathe underwater.” There’s a kernel of this story in Kobi Aflalo’s fourth album, Marot (Mirrors). The title song reflects on some of the stark realities of Israeli life: existential threat, military service … More Kobi Aflalo: Marot

Rotem Cohen: Lo Dimyanti

Reviews of his live shows describe Rotem Cohen as charming, engaging, funny—and with a soulful voice—but he took a crooked route to the stage. He tried acting school, but skipped classes to compose music. He wrote for some of Israel’s top singers before releasing his own first album—which went gold. If his second album, Lo Dimyanti (I Never Imagined), is any indication, he’ll be a fixture of the Israeli cultural scene … More Rotem Cohen: Lo Dimyanti