Elif Sanchez: Mi Voz

Art and life merge in the luscious voice of Elif Sanchez, and her second album offers the privileged listener an international voyage, no passport required. Her music rests on a traditional foundation of family and schooling: Born Elif Cakmut in Istanbul, she grew up singing Turkish and Azerbaijani folk songs with her mother, had a classical conservatory education, learned oboe and English horn, played in a symphony orchestra, studied jazz … More Elif Sanchez: Mi Voz

Sen Svaja: Kraitis iš pelkės / Dowry from a Swamp

Three women who present themselves as pixies, mixing real and mythic realms. Three pillars: Smart theatricality; venue (a biodiverse marsh); and group name (Sen Svaja), from an Old Prussian term meaning “with family,” implying not only blood but also those adopted from outside. The sundry elements of Dowry from a Swamp work and play in the service of darkly magical folk songs, five from the … More Sen Svaja: Kraitis iš pelkės / Dowry from a Swamp

Fulya Özlem & Akustik Kabare: Mânidar Boşluk

The singer-songwriter Fulya Özlem spent years studying and performing abroad, tracing a path that includes English, Scottish and Irish folk, tango, Latin jazz, bossa nova, French and Spanish Renaissance compositions, Sephardic music and rebetiko before returning to her native Istanbul. On Mânidar Boşluk (The Conspicuous Abyss), her third album, she explores something that was always part … More Fulya Özlem & Akustik Kabare: Mânidar Boşluk

Ferhat Tunç: Kobani

The Kurdish-Turkish singer-songwriter Ferhat Tunç has achieved artistic success, but he has also provoked criticism that goes well beyond negative reviews. Over the course of his 30-year career, he has been harassed, censored, fined, indicted, arrested, jailed and received death threats. As this review posts, he awaits trial in Istanbul on charges of “insulting the president” of Turkey and “propaganda for a terrorist organization” over his support for the Kurdish rights movement. The alleged crimes arose from Twitter … More Ferhat Tunç: Kobani

Gülben Ergen: Kalbimi Koydum

Notwithstanding its name, the Turkish music form known as Arabesque has Byzantine and Balkan influences as well as Arabian. Over the past 20 years a new form, Arabesque-pop, has emerged with the addition of more Western instruments. On her tenth album, Gülben Ergen— the Queen of Arabesque-pop—sings across a stylistic spectrum, from traditional melancholy songs to dance-pop rhythms. Despite the plethora of instruments—including baglama, oud, guitar, bouzouki, sax … More Gülben Ergen: Kalbimi Koydum