The classic music genres emerged in seaside melting pots during the nineteenth century: In Lisbon it was fado, imbued with longing but often the kind that hurts so good; in Rio de Janeiro it was choro, commonly exuding joy even though its name means “cry.” Affinities aside, fado and choro (also called chorinho) are infrequently paired—and rarely so deliciously as on Cristina Clara’s debut album. With Lua Adversa (Contrary Moon), the artist ambles … More Cristina Clara: Lua Adversa