On the strength of Hellen Caroline’s first album in 2014, critics and Brazilian fans dubbed her “the Princess of Pagode.” The title didn’t win her a pair of glass slippers but the album helped her break the glass ceiling of a musical genre that was almost exclusively male. Pagode is breezy offshoot of samba that emerged from the neighborhood squares and backyards of Rio de Janeiro in the late 1970s, relying on the cavaquinho … More Hellen Caroline: Meu Jeito de Ser